TableTopOpera has created an updated version of Echoes of ‘64 for this year’s Fringe Festival as a livestream @ home!
Matthew and I were pleased to be able to take part in the demonstration of a collaboration with the URMC Health Lab: the cCBTvr mobile app for the treatment of anxiety.
TTO was invited to perform Within the Quota again for this year’s Fringe Festival, so we took some time over the summer to make some upgrades!
Our friend Laurence Vittes writes about our recent opera project, Ariane and Bluebeard, with music by Paul Dukas based upon the comic book adaption by P. Craig Russel.
Rebecca Rafferty, arts writer at Rochester City Newspaper, has picked Within the Quota as one of her critic’s picks of shows to watch at this year’s Rochester Fringe Festival.
We've compiled a few bits of press for the premiere of "Scarred by the Somme."
We've received some great attention for our upcoming Fringe Festival performance. This year is the centenary of the battle of the Somme during WWI.
Matthew appears on "Connections" with Evan Dawson to talk about Kindertotenlieder and child mortality.
TTO is proud to announce that we will be presenting at the 2016 Seventh Annual Diversity Conference at the University of Rochester on April 8, 2016.
I wanted to share how fortunate I feel and how proud I am to work with the wonderful musicians of Table Top Opera. Matthew and I enjoyed a very inspired performance by our players this past week and we would like to share it with you.
I've been working on versions of our two recent Rochester Fringe shows, Kindertotenlieder and Echoes of '64, trying to capture some of the experience of the live performance in a more shareable form. Here are the hybrid results, pairing rendered visuals with the recorded audio. Enjoy!
TTO is happy to announce that we will be performing Echoes of '64 again in Rochester later this month. We have reworked many visual aspects of the show including a new opening and quite a few new photos of Duke Ellington.
We are featured in the latest edition of Opera Quarterly, even making the cover with a great panel from P. Craig Russell's Salome.